thomas micchelli | writing |
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| 2013 From Lynch to the Lynchian and the Dreams in Between Hyperallergic Weekend May 11, 2013 Single Point Perspective: Dürer’s Doomed Knight Hyperallergic Weekend May 4, 2013 Running the Gamut: Trudy Benson’s Flamboyant Restraint Hyperallergic Weekend May 4, 2013 Dürer in DC: Some Observations on the Great Observer Hyperallergic Weekend April 27, 2013 The Writing on the Wall, the Paintings in the Basement Hyperallergic Weekend April 20,2013 Standing on the Edge of Space: Painting as Noun and Verb Hyperallergic Weekend April 20,2013 The Object Is Not an Object: Cubism, Photons and Two by Fours Hyperallergic Weekend April 13, 2013 Alien Skins: Experimental Italian Painting of the 1960s Hyperallergic Weekend April 13, 2013 “Revealing Soul” — Painting’s Cosmological Constant Hyperallergic Weekend April 6, 2013 The Presence of Paint: Baker Overstreet’s Pleasure Principle Hyperallergic Weekend March 30, 2013 In the Schnabel Chapel, Part 4 Hyperallergic Weekend March 23, 2013 Speaking in Tongues: Art in Moods, Tenses,and Translations Hyperallergic Weekend March 23, 2013 Single Point Perspective: The Future of Henri Matisse Hyperallergic Weekend March 16, 2013 In the Schnabel Chapel, Part 3 Hyperallergic Weekend March 9, 2013 Art Glut and How to Handle It Hyperallergic Weekend March 9, 2013 In the Schnabel Chapel, Part 2 Hyperallergic Weekend February 23, 2013 The Hand of the Humanist: Leo Steinberg’s Drawings at New York Studio School Hyperallergic Weekend February 16, 2013 In the Schnabel Chapel, Part 1 Hyperallergic Weekend February 16, 2013 Waste Not: One Artist’s Rules of the Game Hyperallergic Weekend February 9, 2013 Dispatches from Hell: Nancy Spero’s Cruel Beauty Hyperallergic Weekend February 2, 2013 Art for the 1%, Then and Now Hyperallergic Weekend January 26, 2013 Skirting the Nether Regions: Black Cake at Team Gallery Hyperallergic Weekend January 19, 2013 Scraps and Squares: Cordy Ryman's Subversive Formalism Hyperallergic Weekend January 19, 2013 The Last of the True Believers Hyperallergic Weekend January 12, 2013 When Paintings Come Apart: Sharon Butler on the Inside Out Hyperallergic Weekend January 12, 2013 Art’s Martyr: The Drawings and Paintings of Pier Paolo Pasolini Hyperallergic Weekend January 5, 2013 |
2012 The Pursuit of Art, 2012 Hyperallergic Weekend December 29, 2012 MoMA’s Show of Shows: “Inventing Abstraction, 1910–1925” Hyperallergic Weekend December 22, 2012 What Makes a Blockbuster? Hyperallergic Weekend December 15, 2012 Big, Bigger, Biggest: Judith Bernstein Breaks Through Hyperallergic Weekend December 15, 2012 Single Point Perspective: Psychodrama, Duplicity and Other Forms of Beauty Hyperallergic Weekend December 8, 2012 The Right Way to Do It Wrong: Three Takes at the Whitney Hyperallergic Weekend December 8, 2012 Art for the Hell of It: The Sinister Side of Pop Hyperallergic Weekend December 1, 2012 Of Buttons and Babies, Arendt and Eichmann Hyperallergic Weekend November 24, 2012 Political Art, Galloping Out of the Past Hyperallergic Weekend November 17, 2012 Is Mark Bradford the Best Painter in America? Hyperallergic Weekend November 17, 2012 Bidding on Oblivion Hyperallergic Weekend November 10, 2012 What You Might Be Missing at MoMA Hyperallergic Weekend November 3, 2012 Sandy and the Scream Hyperallergic Weekend November 3, 2012 Single Point Perspective: Michelangelo’s Telltale Elbow Hyperallergic Weekend October 27, 2012 Disappearing Act: Rosemarie Trockel at the New Museum Hyperallergic Weekend October 27, 2012 When a Painting Glows in the Dark Hyperallergic Weekend October 20, 2012 Will Design Save the World? Hyperallergic Weekend October 13, 2012 City of Women Hyperallergic Weekend October 13, 2012 Housetraining Weird Uncle Ferdinand Hyperallergic Weekend October 6, 2012 Is There Still Room for the Heroic? Hyperallergic Weekend September 29, 2012 Crime, Culture and Black Leather Shoes: A Talk with Dennis Adams Hyperallergic Weekend September 29, 2012 Empty Galleries, Empty Hands Hyperallergic Weekend September 22, 2012 One Paints, the Other Doesn’t Hyperallergic Weekend September 22, 2012 Connoisseurs and Other Subversives Hyperallergic Weekend September 15, 2012 The Sculptor Pollock Would Never Be Hyperallergic Weekend September 15, 2012 When an Immovable Object Meets an Unstoppable Force Hyperallergic Weekend September 8, 2012 Single Point Perspective: Kafka's Object and Its Objectives Hyperallergic Weekend September 1, 2012 The Square in the Raw: Josef Albers’ Unguarded Moments Hyperallergic Weekend August 25, 2012 Out of the Blue: Philip Glass, Robert Wilson and “Einstein on the Beach” Hyperallergic Weekend August 19, 2012 Flying Blind: de Kooning’s “Closed-Eye” Drawings Hyperallergic Weekend August 18, 2012 Stopping Time: The Quay Brothers at MoMA Hyperallergic Weekend August 11, 2012 Up from the Mud: “The Parade” by Nathalie Djurberg Hyperallergic Weekend July 28, 2012 The Secret Life of Paintings Hyperallergic Weekend July 14, 2012 Single Point Perspective: Cardboard in the Dark Hyperallergic Weekend July 8, 2012 Single Point Perspective: A New Series Hyperallergic Weekend July 7, 2012 Tacit Approval: Tacita Dean’s “Five Americans” Hyperallergic Weekend June 30, 2012 Lessons from an Unknown Master: Phyllida Barlow at the New Museum Hyperallergic Weekend June 23, 2012 No Country for Old Men Hyperallergic Weekend June 16, 2012 Oh Sue, If Only I Could Love You More Hyperallergic Weekend June 9, 2012 Lucian Freud’s Wrong Turn Hyperallergic Weekend June 2, 2012 Cosmic Comic: Frank Stella’s Fine Disregard Hyperallergic Weekend May 26, 2012 Worker Bees of the Art World, Unite Hyperallergic Weekend May 19, 2012 The End of Performance Art as We Know It Hyperallergic Weekend May 12, 2012 What You’d Least Expect on the Lower East Side Hyperallergic Weekend May 6, 2012 Free-Floating on the 13th Floor: Caroline Cox at the Clocktower Hyperallergic Weekend May 5, 2012 Are Artists the Best Curators? Hyperallergic Weekend May 5, 2012 Michelangelo and His Double NY Arts Spring 2012 When Things Go Wrong: Serban Ionescu's "Secret History" |
2011 Patti Smith, MoMA and a Revolutionary Year Hyperallergic December 20, 2011 All That Is Solid, Etc. Guggenheim Museum Hyperallergic November 4, 2011 Susan Rothenberg Sperone Westwater The Brooklyn Rail October 2011 In Conversation: Thomas Micchelli Interviews Linda Francis NY Arts Fall 2011 German Expressionism : The Graphic Impulse The Museum of Modern Art The Brooklyn Rail May 2011 In the Use of Others for the Change Center for Performance Research The Brooklyn Rail May 2011 Mary Judge : Pop-Oculus - New Works in Pigment Storefront The Brooklyn Rail March 2011 David Rabinowitch : Birth of Romanticism - New Works on Paper The Brooklyn Rail Peter Blum Gallery February 2011 Alternative Histories Exit Art The Brooklyn Rail December 2010/January 2011 |
2010
Chaos and Classicism : Art in France, Italy, and Germany, 1918–1936 Guggenheim Museum The Brooklyn Rail November 2010 William Kentridge’s Black Box: Mozart, Goya, and the Darkening of the Enlightenment Art:21 November 2010 Austin Thomas : Drawing on the Utopic Storefront The Brooklyn Rail October 2010 Hannah Wilke: Early Drawings Ronald Feldman Fine Arts The Brooklyn Rail October 2010 Santiago Sierra Team Gallery The Brooklyn Rail October 2010 Twilight of the Gods The Brooklyn Rail September 2010 Greater New York MoMA PS1 The Brooklyn Rail July/August 2010 Mark di Suvero Paula Cooper Gallery The Brooklyn Rail July/August 2010 Dawn Clements The Boiler The Brooklyn Rail May 2010 Brucennial 2010: Miseducation 350 West Broadway / Recess The Brooklyn Rail April 2010 William Kentridge : Five Themes The Museum of Modern Art The Brooklyn Rail March 2010 Philip Guston : Small Oils on Panel 1969-1973 McKee Gallery The Brooklyn Rail February 2010 |
2009 Regina José Galindo Exit Art The Brooklyn Rail November 2009 William Blake's World : "A New Heaven Is Begun" The Morgan Library and Museum The Brooklyn Rail October 2009 In Conversation : Abby Leigh The Brooklyn Rail October 2009 The Quay Brothers and the Argument for the Real The Brooklyn Rail September 2009 Michelangelo's First Painting The Metropolitan Museum of Art The Brooklyn Rail July/August 2009 Dialing Back Art:21 June 2009 Labyrinths Art:21 June 2009 No Expectations Art:21 June 2009 Money Changes Everything Art:21 June 2009 Compass in Hand : Selections from The Judith Rothschild Foundation Contemporary Drawings Collection The Museum of Modern Art The Brooklyn Rail June 2009 Pierrette Bloch Haim Chanin Fine Arts The Brooklyn Rail June 2009 The Generational: Younger Than Jesus The New Museum of Contemporary Art The Brooklyn Rail May 2009 Ishmael Randall Weeks Eleven Rivingtion The Brooklyn Rail May 2009 Leon Kossoff : From the Early Years - 1957-1967 Mitchell-Innes & Nash The Brooklyn Rail April 2009 Keren Cytter : Les Ruissellements Du Diable Thierry Goldberg Projects The Brooklyn Rail March 009 Sade 2.0 Art:21 February 2009 Joan Banach : Citizen Small A Projects The Brooklyn Rail February 2009 Helen Mayer Harrison & Newton Harrison : Global Warming Ronald Feldman Fine Arts The Brooklyn Rail February 2009 Divine Retribution |
2008 Eyal Danieli : in the mood for love Elizabeth Harris Gallery The Brooklyn Rail November 2008 Leigh Ledare : You Are Nothing To Me. You Are Like Air Rivington Arms The Brooklyn Rail October 2008 Shit: a group exhibition Feature Inc. The Brooklyn Rail October 2008 Life on Mars : 55th Carnegie International Carnegie Museum of Art The Brooklyn Rail September 2008 Francisco de Goya y Lucientes : The Disasters of War Peter Blum Gallery The Brooklyn Rail July/August 2008 Milton Resnick : A Question of Seeing Cheim & Read The Brooklyn Rail June 2008 Our Myopia, Ourselves The Brooklyn Rail May 2008 Catherine Sullivan : Triangle of Need Metro Pictures The Brooklyn Rail April 2008 Monumental Squalor The Brooklyn Rail March 2008 WACK! Art and the Feminist Revolution P.S.1 The Brooklyn Rail March 2008 Unmonumental : The Object in the 21st Century Collage : The Unmonumental Picture The New Museum of Contemporary Art The Brooklyn Rail February 2008 Anselm Kiefer : Paintings and Sculpture Massachusetts Museum of Contemporary Art The Brooklyn Rail February 2008 Alex McQuilkin : Joan of Arc Marvelli Gallery The Brooklyn Rail December 2007/January 2008 |
2007
Getting Over It: A Morality Tale The Brooklyn Rail November 2007 Peter Williams : Artistic Repair The Visual Arts Center of New Jersey, Summit, New Jersey The Brooklyn Rail November 2007 Hysterical Blindness : Critical Mess and the Limits of Vision Review of Raphael Rubinstein(editor)/ Critical Mess: Art Critics on the State of Their Practice The Brooklyn Rail October 2007 Purgatory Lost: MASS MoCA Trashes Democracy The Brooklyn Rail October 2007 Christoph Büchel : Training Ground for Democracy The Brooklyn Rail September 2007 The Unknown Monet : Pastels and Drawings The Clark Institute, Williamstown, Massachusetts The Brooklyn Rail September 2007 Think
with the Senses - Feel with the Mind : Dreaming
of a Speech Without Words : Nicolas
Carone : Sculpture Picasso,
Braque and Early Film in Cubism Role
Play : Feminist Art Revisited 1960 - 1980 Suzanne
Opton : Soldier |
2006
Charles Garabedian : Recent Paintings Betty Cuningham Gallery The Brooklyn Rail November 2006 Dash Snow : Silence Is The Only True Friend That Shall Never Betray You Rivington Arms The Brooklyn Rail October 2006 Losing the Thread Review of Doug Aitken (editor)/ Broken Screen: 26 Conversations With Doug Aitken, Expanding the Image, Breaking the Narrative The Brooklyn Rail October 2006 Into Me / Out of Me P.S. 1 The Brooklyn Rail September 2006 Jenny Holzer : Archive Cheim & Read The Brooklyn Rail July/August 2006 Jenny Holzer : Night Feed Yvon Lambert The Brooklyn Rail July/August 2006 Judy
Glantzman Deitch Projects The Brooklyn Rail May 2006 Sean
Hemmerle : Where Lines Are Drawn Lynda
Abraham : Compassion |
2005 Alex Katz : First Sight - Working Drawings from 1965–2002 Peter Blum Gallery The Brooklyn Rail November 2005 Jesse Bercowetz and Matt Bua : Braggin Rites Jack the Pelican The Brooklyn Rail October 2005 March on Washington, September 24, 2005 (with Margaret Micchelli) The Brooklyn Rail October 2005 War / Hell : Master Prints by Otto Dix and Max Beckmann Neue Galerie The Brooklyn Rail September 2005 Always a Little Further Arsenale, 51st Venice Biennale The Brooklyn Rail July/August 2005 OK/OKAY: Recent Art From Europe Swiss Institute – Contemporary Art Grey Art Gallery, New York University The Brooklyn Rail June 2005 Angela Strassheim : Left Behind Marvelli Gallery The Brooklyn Rail May 2005 Elise Freda : Absence/Presence Ch'i Contemporary Fine Art The Brooklyn Rail April 2005 On the Misallocation of Funds The Brooklyn Rail March 2005 Nin Brudermann : N.A.S.D. Projekt Fledermaus Priska C. Juschka Fine Art The Brooklyn Rail March 2005 The Book as Object and Performance Gigantic ArtSpace The Brooklyn Rail February 2005 Giorgio Morandi Lucas Schoormans Gallery The Brooklyn Rail December 2004/January 2005 |
Catalogue Essays
Adam Simon: Functional Nakedness New York City: Studio 10, 2012 Rites of Passage : 1995-2009 New York City: The Cooper Union, 2010 Notes on the Art of Jesse Bercowetz Cologne, Germany: Galerie Michael Janssen, 2008 Abby Leigh : The Eye is the First Circle New York City: The Betty Cuningham Gallery, 2007 Jesse Bercowetz & Matt Bua : Things Got Legs Stung by Splendor : Curator’s Notes |
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